Nov
20

8 MP Digital Camera Shell Pink

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8 MP Digital Camera Shell Pink

List Price: $259.99 Publisher: Fuji Film USA
Salesrank: 40691
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  • 8 MP Digital Camera Shell Pink

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    Nov
    20

    Canon Powershot G10 14.7MP Digital Camera with 5x Wide Angle Optical Image Stabilized Zoom

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    Canon Powershot G10 14.7MP Digital Camera with 5x Wide Angle Optical Image Stabilized Zoom

    List Price: $499.99 Publisher: Canon
    Salesrank: 21
    Our Price: $449.94
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    Features:

  • 14.7-megapixel resolution for the highest image quality and editing flexibility
  • 5x optical zoom with Optical Image Stabilizer; 28mm wide-angle lens
  • DIGIC 4 Image Processor improves Face Detection; full range of shooting and recording modes, including RAW
  • 3.0-inch PureColor LCD II with even greater true-to-life color reproduction
  • Capture images to SD/SDHC memory card

    Customer Reviews:
    G10 exceeds expectations
    The G10 is an amazing camera. I bought it a week or so ago based on Michael Reichman’s (luminouslandscape website) and Thom Hogan’s (bythom[...]) reviews. I am an advanced amateur/prosumer — I sell fine art landscapes, and have been photographing for about 35 years.

    The G10 is heavy at about a pound, but I like the heft. It is quite compact (at least from my perspective) — the lens fully retracts and it will fit in a large jacket pocket. I have a medium-large Zing pouch I put it in and carry in my backpack, or alternatively put the Zing pouch on my belt loop.

    I’m astonished at the image quality and functionality offered by the G10. I haven’t shot any jpegs, only RAW (using DPP to process RAW; the RAW images will no doubt be more malleable with other software when they support the G10 — DPP is fairly limited). In RAW, at ISO 80 on a tripod, I think the detail rendered by the G10 exceeds or at least equals the Canon 5D. It may have a weaker or virtually no AA filter.

    The lens on the G10 is fantastic. There is very little resolution fall off, even wide open, edge to edge and into the corners.

    In my mind, the closest equivalent to the G10 is a Fuji 645 medium format rangefinder (remember the small zoom range Fuji 645 compact?), but the G10 is better in almost every way. The G10 is far lighter and more compact, offers a great zoom range (and is sharp throughout the zoom range) and image stabilization, and has enough resolution to produce fine art quality prints, up to 18″ or 24″ in the long dimension without stitching.

    I think the G10 is opening up a whole new world of landscape, street photography possibilities, and what about the incredible macro versatility?

    There is a substantial drop off in image quality from ISO 200 to ISO 400 on the G10, but ISO 400 is still very very good (again shooting RAW), much better than the panasonic LX3 that I tried for a week or two at ISO 400.

    I must be crazy. I can’t believe a compact with such a small sensor can render detail this well. I’m seeing the G10 as a whole new tool that will open up different possibilities and different ways of seeing (and have different limitations than a Canon DSLR). I haven’t been this excited about a photographic tool since I purchased my Canon 5D over 3 years ago.

    The Canon G10 offers “automatic” settings that I haven’t tried. For an advanced photographer it offers a wealth of manual controls and customization, which I’m still learning. One very nice touch is that the custom settings on the top dial (there are two) allow you to save the zoom settings and manual focus setting — so I have one saved at a 35mm focal length equivalent and another at a 50mm equivalent. This allows quick, street shooting, similar to what one can do with a Leica rangefinder, though the G10 has a much different look given the virtually infinite depth of field due to the small sensor.

    FAST & RELIABLE Canon G10
    The G10 will respond right away, it won’t jam like the typical point and shoot cameras that the moment is gone by the time you get to take the picture. Various shooting modes and the lighting techniques from cloudy to tungsten light make it very nice for setting the mood. The only problem as I have read from previous reviews, at night it’s quite grainy. Most of this is solved with flash but sometimes you don’t want it. I recommend you adjust the exposure and shoot manually.

    Happy feet happy feet happy feet
    I bought this camera, waited, got ticked off at the price drop then it arrived. Charged the battery (doesn;t that suck with electronics, you get the thing and then wait till the battery charges 8 hours) I get it, plug it in and turn it on. And let me say, I was laying on my stomach on a bed with the camera facing down. When the camera turned on it was about 2 inches from this throw blanket thing. On the screen I could count every thread with no blur. I said out loud. “Wow…..that;s ****’in ridiculous”

    I think went on to use the camera in the last 2 days. I’ve taken outdoor shots, art gallery photo’s, night shots etc. The best thing is, in galleries, flash camera’s are not allowed. This thing sucks light from some cosmo’s unknown, leaving me with perfect shots and leaving them thinking….You jerk.

    The camera starts up in less than a second, it’s not big and bulky at all. It cannot fit in your pocket, so don’t buy this camera if it’s just for you and your friends to post pictures on myspace. (p.s. your lame) buy this camera if you want photo’s that capture every imagine perfectly. Has a screen that makes me want to watch movies on (it’s a 3″ LCD that is simply amazing). I’m taking this to Rome soon. And I know that it will capture the best pictures possible. And then a little gypsie will steal it. And I’ll be sad. But when I rebuy another, this will be the one I buy.

    Love this camera!
    This camera is amazing! It took me all of about a day to figure out the settings and shooting modes. The color accent is so much fun. This camera is an amazing point and shoot camera and also a high end camera. I would recomend this camera for anyone who wants a high end camera without having to buy a SLR.

    Good camera, but came with defect with its CCD sensor.
    No luck, I got a defective one, which there is always a very fine light-blue line appearing on the upper left corner. After I returned it, I am now waiting for my full refund and buy with a lower price. This is a versatile camera. If you are not planning to buy a big DSLR, Canon G10 is a great substitute as being compact with full manual option.

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    Nov
    20

    Professional USB Data Cable Software for your Sanyo MM-8300 Phone from Datapilot! Use this with your cable or Bluetooth enabled PC/Adapter to access your phone’s Phonebook, Pictures, Ringtones, MP3, Calendar, Images, Video, and more depending on what your phone and carrier support!

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    Professional USB Data Cable Software for your Sanyo MM-8300 Phone from Datapilot! Use this with your cable or Bluetooth enabled PC/Adapter to access your phone’s Phonebook, Pictures, Ringtones, MP3, Calendar, Images, Video, and more depending on what your phone and carrier support!

    List Price: $79.99 Publisher: Datapilot
    Salesrank: 13884
    Our Price:
    Platform: Windows XP
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    Features:

  • Insure your mobile content - contacts, music, pictures, movies and SMS - with easy backup on your PC with this software and your USB Cable or Bluetooth Adapter (not included).
  • Syncÿyour cell phone address book and calendarÿwith Outlook, Outlook Express, and Palm Desktop depending on what your phone supports, not all phones work for all features shown below.
  • This software is required to Download/Save/Upload/Edit features such as your music, MP3, pictures, videos, phonebook, SMS, and text messages with your PC
  • Best of all, with this software all your transfers are UNLIMITED & FREE, always. Avoid your carriers expensive subscriptions that don’t even do half of what this software will do for you!

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    Nov
    20

    Graphic Graflex Photography: For Prize Winning Pictures (Hardcover) newly tagged "camera"

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    For Prize Winning Pictures

    Graphic Graflex Photography: For Prize Winning Pictures (Hardcover)
    By Willard Detering Morgan

    10 used and new from $8.99
    Customer Rating:

    First tagged “camera” by Nazani
    Customer tags: , , , , , , ,

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    Nov
    20

    Dallapiccola: Musica da Camera

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    Dallapiccola: Musica da Camera

    List Price: $18.98 Publisher: Stradivarius
    Salesrank: 182648
    Released: 1997-11-18
    Our Price: $18.98
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    Tracklisting:
    1. Tartiniana Seconda: I. Pastorale - Bruno Canino/Rudolfo Bonucci
    2. Tartiniana Seconda: II. Tempo Di Bourree - Bruno Canino/Rudolfo Bonucci
    3. Tartiniana Seconda: III. Presto Leggerissimo - Bruno Canino/Rudolfo Bonucci
    4. Tartiniana Seconda: IV. Variazioni - Bruno Canino/Rudolfo Bonucci
    5. Due Studi: Sarabanda - Bruno Canino/Rudolfo Bonucci
    6. Due Studi: Fanfara E Fuga - Bruno Canino/Rudolfo Bonucci
    7. Ciaccona, Intermezzo E Adagio: Ciaccona - Arturo Bonucci
    8. Ciaccona, Intermezzo E Adagio: Intermezzo - Arturo Bonucci
    9. Ciaccona, Intermezzo E Adagio: Adagio - Arturo Bonucci
    10. Quaderno Musicale Di Annalibera: I. Simbolo
    11. Quaderno Musicale Di Annalibera: II. Accenti
    12. Quaderno Musicale Di Annalibera: III. Contrapunctus Primus
    13. Quaderno Musicale Di Annalibera: VI. Linee
    14. Quaderno Musicale Di Annalibera: V. Contrapunctus Secundus(Canon Contrario Motu)
    15. Quaderno Musicale Di Annalibera: VI. Fregi
    16. Quaderno Musicale Di Annalibera: VII. Andantino Amoroso E Contrapunctus Tertuis(Canon Cancrizans)
    17. Quaderno Musicale Di Annalibera: VIII. Ritmi
    18. Quaderno Musicale Di Annalibera: IX. Colore
    19. Quaderno Musicale Di Annalibera: X. Ombre
    20. Quaderno Musicale Di Annalibera: XI. Quartina

    Customer Reviews:
    An enjoyable introduction to serialism
    Somewhere on Amazon there is a reviewer who expresses skepticism towards anyone who claims to have “gotten” Schoenberg’s later works the first time they heard them. I find this skepticism odd for two reasons.

    The first reason is a foible I should be used to by now. When will we learn (and I include myself in this) that others are not limited by our own personal limitations? I have enjoyed much twelve-tone or serialist music from the first time I heard it. That doesn’t mean I had (or have yet) a good theoretical understanding of it. I think of it as more that I was prepared for the music by being exposed to a lot of classical, jazz and world music at an early age.

    These thoughts lead me to my second reason which has more to do with Schoenberg’s twelve-tone system itself. It seems to me to be a natural development from 19th century music. The pantonality (Schoenberg’s own preferred term) of serialism was emerging throughout the 19th and early 20th centuries. Pure tonality was slipping in Chopin and was in full pratfall by the time of Wagner. Debussey, Satie and Scriabin all developed alternatives to it.

    Try this thought experiment. Let us suppose that we can take several of Shakespeare’s most famous soliloquies or sonnets and we take some of the more recognizable lines from them and use them to construct a new sonnet that actually makes sense. Then we read that new sonnet to an audience full of people who know their Shakespeare. Imagine the disorientation as they recognize the first line, remember its context and then are surprised by the second line. As this continues, they realize that what they are hearing makes sense on its own. And they end up having to give up their cultural expectations to try to focus on trying to understand that new sense.

    In a way, this is what serialism is trying to do (as I understand it). It doesn’t embrace dissonance or consonance- it cuts us adrift from what gives those terms meaning and our beloved “resolution”. Personally I kind of like it.

    I think this CD of music by Luigi Dallapiccola will serve as a good introduction for many people to the pleasures of serialism. My brother once described Dallapiccola to me as “Yea, sort of a middle of the road, lyrical serialist”. Remove the negative connotations from that description and it is about right.

    Consider the first piece on this CD, the wonderful “Tartiana seconda”. Dallapiccola has created several pieces based themes or phrases of Tartini’s. He then manipulates the themes in the standard serialist fashion. The result are pieces that sound very baroque, with a piano parts that sound like something Debussey would create, that are mostly tonal but also slyly dissonant at times. The last movement, “Variations”, is particularly strong.

    This piece is the cause of my whole introductory spiel- you can hear the whole of the nineteenth and some of the twentieth in their development with source material that is baroque. I would claim that this piece is ample proof that serialism is a natural development of the tradition.

    The second piece,”Due Studi”, is more traditionally serialist (the wheel turns and all revolutions become bureaucracies). The first movement is quietly brooding and warns of the aggression to come in the second movement.

    The final pieces are solos for cello and piano. I could only describe them in the most impressionist of manners so I will suggest only that you listen to the sound samples.

    The playing by Rodolfo Bonucci (violin), Arturo Bonucci (cello) and Bruno Canino (piano) is wonderful and the recording quality is great.

    Some of this music in now available on a much cheaper CD on the Naxos label. I am unfamiliar with that recording so I cannot compare them. But I do not hesitate to recommend this CD as an introduction of Dallapiccola and to some of the profound pleasures of serialist music.

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